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The first MXR effects pedal was the M-101 MXR Phase 90 phaser. The Phase 90 was used on the first two Van Halen albums. [4] The MXR Phase 45, followed, as well as a programmable version, the Phase 100. Like other pedals of the time, MXR pedals prior to 1981 did not have LEDs, A/C adaptor jacks, or true-bypass switching.
The MXR Dyna Comp was first produced in the 1970s and became "a Nashville standard". [1] It is frequently copied by other builders and hobbyists. [1] MXR also produces a 'vintage' Dyna Comp, with the 1970s "script" logo, and an updated version, the Super Comp, which has an "Attack" control that determines its "bite-/squash ratio".
Fuzz bass (also called bass overdrive) is a style of playing the electric bass that produces a buzzy, overdriven sound via a tube or transistor amp or by using a fuzz or overdrive pedal. Notable examples of fuzz effect units include the: Arbiter Fuzz Face , Electro-Harmonix Big Muff , Shin-ei Companion FY-2 , Univox Super-Fuzz , Vox Tone Bender ...
Description: Bass effect pedals [top → bottom / left → right ] Electro-Harmonix. Steel Leather (bass expander) the MOLE (bass booster) bass Blogger (bass fuzz/distortion)
Alesis Studio Electronics was founded in Hollywood in 1984 by MXR co-founder Keith Elliott Barr. [3] Leveraging his ability to design custom integrated circuits, Barr's company was able to introduce technologically advanced products at prices within the realm of most project studios. Alesis' first product was the XT Reverb.
An original MXR Innovations distortion plus pedal from 1979, block logo, without LED and battery-only operation (no AC Adapter). MXR Distortion + on a guitar pedalboard. Distortion + is the yellow unit on front of the pedalboard. The MXR Distortion + ("Distortion Plus") is a distortion pedal originally designed in the 1970s by MXR Innovations.
Electric bass players often use compression effects, either effects units available in pedal, rackmount units, or built-in devices in bass amps, to even out the sound levels of their basslines. Gain pumping , where a regular amplitude peak (such as a kick drum) causes the rest of the mix to change in volume due to the compressor, is generally ...
A compression driver is a small specialized diaphragm loudspeaker which generates the sound in a horn loudspeaker.It is attached to an acoustic horn, a widening duct which serves to radiate the sound efficiently into the air.
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