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Time Peace: The Rascals' Greatest Hits is a greatest hits album from the Rascals, released on June 24, 1968. It reached number one on the Billboard Pop Albums chart by September 1968. It also topped the Cash Box albums chart with a run in the Top 10 for 20 consecutive weeks
The Young Rascals reached #15 on the Billboard Top LPs chart and #10 in Cashbox. The album was certified Gold by the RIAA. [17] From there the songwriting partnership between Felix Cavaliere and Eddie Brigati began to flourish. Cavaliere wrote the music and themes, and Brigati, the verses with the former's help. [7]
The first nine singles are performed by the Young Rascals (the band's former name), while the last seven tracks are credited to the Rascals. All three of their Billboard Hot 100 number-one singles are included here: " Good Lovin' ", " Groovin' ", and " People Got to Be Free ".
The Rascals' discography is diverse, with numerous compilations.Their early—and primary—output was all recorded on Atlantic Records and produced with Arif Mardin.After the band left Atlantic in 1971, they recorded two albums for Columbia with various line-ups other than the original four members of the group.
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The album began the Rascals' first forays into the psychedelic genre that they would explore further on Once Upon a Dream. [2] Eight of Groovin ' ' s eleven songs were issued by Atlantic Records as single A- or B-sides. The three songs specific to the album are "Find Somebody", "I Don't Love You Anymore", and the Rascals' cover of "A Place in ...
Once Upon a Dream was the band's first album billed as "The Rascals"; they had, for legal reasons, been known as "The Young Rascals" until this time. It was also the last Rascals album to be available in both mono and stereo mixes. The album was received differently by fans and critics.
It was also the Rascals' first album for the CBS/Columbia label, after almost six years with Atlantic Records. [ 3 ] Many of the songs on Peaceful World were jazz -influenced, as opposed to the "blue-eyed soul " style of the Rascals' heyday; [ 4 ] the title track, in particular, was a long piece featuring improvisation and multiple extended solos.