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The Symposium (Ancient Greek: Συμπόσιον, Greek pronunciation: [sympósi̯on], romanized: Sympósion, lit. 'Drinking Party') is a Socratic dialogue by Plato, dated c. 385 – 370 BC. [1][2] It depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a banquet. The men include the ...
In Ancient Greece, the symposium (Greek: συμπόσιον, sympósion or symposio, from συμπίνειν, sympínein, "to drink together") was the part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation. [1] Literary works that describe or take place at a ...
Diotima of Mantinea (/ ˌdaɪəˈtiːmə /; Greek: Διοτίμα; Latin: Diotīma) is the name or pseudonym of an ancient Greek character in Plato 's dialogue Symposium, possibly an actual historical figure, indicated as having lived circa 440 B.C. Her ideas and doctrine of Eros as reported by the character of Socrates in the dialogue are the ...
Aristodemus' representation in Plato's Symposium has given rise to debate, as scholars have interpreted his character as hubristic, or instead humble and pathetic. Although the drinking party depicted in the Symposium involved each guest discoursing on the nature of Eros , Aristodemus' own speech was either passed over unreported or never given ...
Plato (Greek: Πλάτων, Plátōn, from Ancient Greek: πλατύς, romanized: platys, lit. 'broad') is actually a nickname. Although it is a fact that the philosopher called himself Platon in his maturity, the origin of this name remains mysterious. Platon was a fairly common name (31 instances are known from Athens alone), [8] but the ...
The Form of the Good, or more literally translated "the Idea of the Good" (ἡ τοῦ ἀγαθοῦ ἰδέα [a]), is a concept in the philosophy of Plato.In Plato's Theory of Forms, in which Forms are defined as perfect, eternal, and changeless concepts existing outside space and time, the Form of the Good is the mysterious highest Form and the source of all the other Forms.
First version of the Symposium by Feuerbach, 1869. Symposium or Das Gastmahl des Platon[1] are paintings by the German painter Anselm Feuerbach from c. 1869 and 1873/74 of a moment from Plato 's Symposium, when the drunken Alcibiades and revelers enter the house of the poet Agathon. [2][3] Socrates, near the wall at right-centre, turns his back ...
The Menexenus (/ məˈnɛksənəs /; Greek: Μενέξενος) is a Socratic dialogue of Plato, traditionally included in the seventh tetralogy along with the Greater and Lesser Hippias and the Ion. The speakers are Socrates and Menexenus, who is not to be confused with Socrates' son Menexenus. The Menexenus of Plato's dialogue appears also in ...
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