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Collagraphy (sometimes spelled collography) is a printmaking process in which materials are glued or sealed to a rigid substrate (such as paperboard or wood) to create a plate. [1] Once inked, the plate becomes a tool for imprinting the design onto paper or another medium. The resulting print is termed a collagraph.
Carborundum printmaking. A collagraph printed by re-using materials from the atelier: tarlatan, carborundum, sandpaper, and thread. Carborundum mezzotint is a printmaking technique in which the image is created by adding light passages to a dark field. It is a relatively new process invented in the US during the 1930s by Hugh Mesibov, Michael J ...
Glen Alps. Glen Alps (1914-1996) was a printmaker and educator who is credited with having developed the collagraph. [1] A collagraph is a print whose plate is a board or other substrate onto which textured materials are glued. The plate may be inked for printing in either the intaglio or the relief manner and then printed onto paper.
Overview. [edit] Printmaking techniques are generally divided into the following basic categories: Relief, where ink is applied to the original surface of the matrix, while carved or displaced grooves are absent of ink. Relief techniques include woodcut or woodblock, wood engraving, linocut and metalcut.
The relief family of techniques includes woodcut, metalcut, wood engraving, relief etching, linocut, rubber stamp, foam printing, potato printing, and some types of collagraph. By contrast, in the intaglio family of printing, the recessed areas are printed by inking the whole matrix, then wiping the surface so that only ink in the recessed ...
[1] [2] As an advocate, innovator, and educator in the field of printmaking, [3] Romano has co-authored in collaboration with her husband, John Ross, The Complete Printmaker (1972), The Complete Collagraph (1980), and several other printmaking manuals that have become standard texts for universities. They founded their High Tide Press for ...
Belkis Ayón. Belkis Ayón (23 January 1967 – 11 September 1999) was a Cuban printmaker who specialized in the technique of collography. Ayón created large, highly detailed allegorical collagraphs based on Abakuá, a secret, all-male Afro-Cuban society. Her work is often in black and white, consisting of ghost-white figures with oblong heads ...
Collotype is a gelatin -based photographic printing process invented by Alphonse Poitevin in 1855 to print images in a wide variety of tones without the need for halftone screens. [1][2] The majority of collotypes were produced between the 1870s and 1920s. [3] It was the first form of photolithography. [4]
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