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Op. 98: Nearly Waltz for cello and piano (1999) Op. 99: Duet for alto saxophone and cello (1999) Op. 104: Concerto for two pianos and percussion (2002) Op. 106: Suite for viola, alto saxophone, piano and bass (2002) Op. 107: Variations on "Sweet Georgia Brown" for viola, alto saxophone, piano and bass (2002) Op. 124: Suite for cello solo (2004)
Op. 20: Two Pieces for cello and orchestra (1887–1888) Op. 32: Méditation in D major for violin and orchestra or piano (1891) Op. 82: Concerto in A minor for violin and orchestra (1904) Op. 92: Concerto No. 1 in F minor for piano and orchestra (1910–1911) Op. 100: Concerto No. 2 in B major for piano and orchestra (1917)
Sonata for Cello and Piano No. 1, Op. 11, No. 3 (1919) Sonata for Cello and Piano No. 2 (1948) Kleine Sonate for Cello and Piano (1942) Solo Sonata for Cello, Op. 25, No. 3 (1923) Drei leichte Stücke for Cello and Piano (1938) Sonata for Double Bass and piano Sonata (1949) Pieces (unaccompanied double bass) (1929) Flute.
Violin Sonata (Franck) The Sonata in A major for Violin and Piano by César Franck is one of his best-known compositions, and is considered one of the finest sonatas for violin and piano ever written. [1] It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework.
Swiss Miss, (1926) arrangement of a song from Lady, Be Good. Machinery Gone Mad, (1927) unpublished. Blue Monday, (1927) a piano suite based on Gershwin's one-act opera of the same name. Merry Andrew, (1928) arrangement of a dance piece from Rosalie. Three-Note Waltz, (1931) Also known as Melody #36.
Impromptu for violin and piano, Op. 91 (1926) 3 Caprices de Paganini for violin and piano, Op. 97 (1927) Dixième sonate de Baptist Anet in D Major, Op. 144 (1935); free transcription for violin and harpsichord; Sonatina for 2 violins, Op. 221 (1940) Danses de Jacaremirim for violin and piano, Op. 256 (1945); 3 pieces; Sonata for violin and ...
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