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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
McNeil, W. K., ed. Encyclopedia of American Gospel Music. Routledge, 2005. ISBN 0-415-94179-2. Marovich, Robert M., A City Called Heaven: Chicago and the Birth of Gospel Music. Urbana: University of Illinois Press, 2015. ISBN 978-0252080692. Mungons, Kevin and Douglas Yeo, Homer Rodeheaver and the Rise of the Gospel Music Industry.
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
The American Spiritual Ensemble was created in 1995 with the mission "to keep the American negro spiritual alive," says founder Everett McCorvey. 'We should be very proud'
The tune known as "Roll, Jordan, Roll" may have its origins in the hymn "There is a Land of Pure Delight" written by Isaac Watts [1] in the 18th century. It was introduced to the United States by the early 19th century, in states such as Kentucky and Virginia, as part of the Second Great Awakening, and often sung at camp meetings.
The original Canton Spirituals from 1943 were Reverend Arthur Lee Jackson Sr., Reverend I.S. Watkins, Jim T Graham, Claude Nichols, Warren G. Ward, Isaac Bolton, Eddie Jackson, Theo Thompson, Roscoe Lucious and founder Harvey Lee Watkins Sr. (December 5, 1929 – November 16, 1994).
Southern gospel music is a genre of Christian music.Its name comes from its origins in the southeastern United States.Its lyrics are written to express either personal or a communal faith regarding biblical teachings and Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music.
Since the 1950s, sacred and liturgical music has been performed and recorded by many jazz composers and musicians, [4] [1] combining black gospel music and jazz to produce "sacred jazz", similar in religious intent, but differing in gospel's lack of extended instrumental passages, instrumental improvisation, hymn-like structure, and concern ...