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This is a list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, digital art and video art.
John White (c. 1540–c. 1606), artist-illustrator, surveyor Jacob Gerritse Strycker (1615–1687), artist, possibly of the Rembrandt studios Thomas Smith (died c. 1691), painter
American artist who began painting just as the Hudson River School was winding down. He studied at the National Academy of Design under Bierstadt and de Haas, and maintained studios in Clifton Park, New York, and New York City, where he painted in oils and watercolors. He completed more than 130 paintings, including several works in black and ...
Pages in category "American landscape painters" The following 200 pages are in this category, out of approximately 431 total. This list may not reflect recent changes .
Abby Nurre wrote "Journey To The End Of The Island" in tribute to Kiawah's lush landscape and wildlife Watercolor Artist Pays Homage To South Carolina's Picturesque Coast In New Book Skip to main ...
Robert Seldon Duncanson (c. 1821 – December 21, 1872) was a 19th-century American landscapist of European and African ancestry. Inspired by famous American landscape artists like Thomas Cole, Duncanson created renowned landscape paintings and is considered a second generation Hudson River School artist.
Frank Weston Benson, frequently referred to as Frank W. Benson, (March 24, 1862 – November 15, 1951) was an American artist from Salem, Massachusetts, known for his Realistic portraits, American Impressionist paintings, watercolors and etchings. He began his career painting portraits of distinguished families and murals for the Library of ...
[2] [6]: 58–59 This contrasts with the work-relief mission of the Federal Art Project (1935–1943) of the Works Progress Administration, the largest of the New Deal art projects. So great was its scope and cultural impact that the term "WPA" is often mistakenly used to describe all New Deal art, including the U.S. post office murals.
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