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Can-Can is a musical with music and lyrics by Cole Porter, and a book by Abe Burrows.The story concerns the showgirls of the Montmartre dance halls during the 1890s.. The original Broadway production ran for over two years beginning in 1953, and the 1954 West End production was also a success.
The can-can has often appeared in ballet, such as Léonide Massine's La Boutique fantasque (1919) and Gaîté Parisienne (1938), [15] as well as The Merry Widow. Another example is the climax of Jean Renoir's film French Cancan. [16] A well-known can-can occurs at the finale of the "Dance of the Hours" from the opera La Gioconda by Amilcare ...
Musical episodes of normally non-musical television series. Pages in category "Musical television episodes" The following 56 pages are in this category, out of 56 total.
Can-Can is a 1960 American musical film made by Suffolk-Cummings productions and distributed by 20th Century-Fox. It was directed by Walter Lang , produced by Jack Cummings and Saul Chaplin . The screenplay was written by Dorothy Kingsley and Charles Lederer , loosely based on the musical play by Abe Burrows .
Pages in category "Songs from Can-Can (musical)" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. A. Allez-Vous ...
During one of the disco dances, a crawl ran across the bottom of the screen that read: "You Can't Do That On Television" and the word television was misspelled. Music videos shown in this episode include Donna Summer's "Last Dance", Andy Gibb's "(Love Is) Thicker Than Water," and Billy Joel's "Say Goodbye to Hollywood." 3: Nickel and Dime
In March 2009, a dispute between YouTube and the British royalty collection agency PRS for Music led to premium music videos being blocked for YouTube users in the United Kingdom. The removal of videos posted by the major record companies occurred after failure to reach an agreement on a licensing deal.
Cash Box noted that Riddle “proposes another side of the [film’s] melodies, as capable dance vehicles.” It called the arrangements “noticeably inventive,” and classified the album as a “swinging addition to the dance shelf.” [3] Billboard placed the album in its “Special Merit Spotlight,” as a recording deserving the magazine's exposure.
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