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Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Étude Op. 10, No. 5 in G ♭ major is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the fifth piece of his Études Op. 10.
The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...
Example of piano tone clusters. The clusters in the upper staff—C ♯ D ♯ F ♯ G ♯ —are four successive black keys. The last two bars, played with overlapping hands, are a denser cluster. A tone cluster is a musical chord comprising at least three adjacent tones in a scale.
The beta chord (β chord) is a five-note chord, formed from the first five notes of the alpha chord (integers: 0,3,6,9,11; [61] notes: C ♯, E, G, B ♭, C ♮). The beta chord can also occur in its reduced form, that is, limited to the characteristic tones (C ♯ , E, G, C ♮ and C ♯ , G, C ♮ ).
Piano – Each of the hammers strikes a course of multiple strings tuned to nearly the same pitch (for all notes except the bass notes). Professional piano tuners carefully control the mistuning of each string to add movement without losing clarity. However, in some poorly-cared instruments (like the honky-tonk pianos), the effect is more ...
In the Schuman example (Three Score Set for Piano), the inversions of the chords suggest a bichordal effect. [3] In the example on the top right, we see a series of quartal chords in parallel motion, in which the intervallic relationship between each consecutive chord member, in this case a minor second, is consistent.
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