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The discography of American singer Connie Stevens includes numerous studio and compilation albums, and 20 singles. Stevens first garnered success in 1960, when her hit song "Sixteen Reasons" peaked at number 3 on the Billboard Hot 100 [1] and number 9 on the UK Singles Chart.
Woman writing down "365 reasons why I love you" notes. ... 52. You are thoughtful. ... 256. There are so many songs that remind me of you. 257. I can tell you absolutely anything, without judgment.
Porter would frequently return to the list song form, notable examples include "You're the Top" from the 1934 musical Anything Goes, [25] [26] [27] "Friendship", one of Porter's wittiest list songs, from DuBarry Was a Lady, [28]: 483 and "Farming" and "Let's Not Talk About Love" both from Let's Face It!
53. “I’ll Cover You” by Jesse L. Martin and Wilson Jermaine Heredia (2005) Yes, Rent has A LOT of great hits, but this duet with Tom (Martin) and Angel (Heredia) is a top tier in our book ...
"Sixteen Reasons (Why I Love You)" is a list song written by Bill and Doree Post in 1959 recounting sixteen reasons for being in love, beginning "The way you hold my hand", which in 1960 reached #3 via a recording by Connie Stevens.
For Sentimental Reasons: 25 Early Vocal Classics (or simply For Sentimental Reasons) is one of a number of albums released on the ASV/Living Era label, featuring recording artists mostly from the 1940s and 1950s, named for one of the major hits by the artist in question.
The Nat King Cole Trio – on "I Love You for Sentimental Reasons," "What'll I Do?" and "Lost April" The Carlyle Hall Strings – on "Lost April" and "A Portrait of Jennie" Les Baxter's Orchestra – on "Mona Lisa" and "Too Young" Pete Rugolo's Orchestra – on "Red Sails in the Sunset"
I Got You (I Feel Good) I Guess I'll Have to Cry, Cry, Cry (I Love You) For Sentimental Reasons; I Love You Yes I Do; I Refuse to Lose; I Want You So Bad (James Brown song) I'll Go Crazy (James Brown song) I'm a Greedy Man; I'm Real (James Brown song) I've Got Money; If I Ruled the World; If You Don't Give a Doggone About It; It's a Man's Man's ...