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The Black Duchess (also Mourning Portrait of the Duchess of Alba or simply Portrait of the Duchess of Alba) is a 1797 oil-on-canvas painting by Spanish painter Francisco Goya. The subject of the painting is María Cayetana de Silva, 13th Duchess of Alba , then 35 years old.
Photo of the wall of the old house of Goya, done by J. Laurent in 1874. A Pilgrimage to San Isidro (Spanish: La romería de San Isidro) is one of the Black Paintings painted by Francisco de Goya between 1819–23 on the interior walls of the house known as Quinta del Sordo ("The House of the Deaf Man") that he purchased in 1819.
The Countess of Benavente and Duchess of Osuna, María Josefa Pimentel and her husband, Duke Pedro de Alcántara Téllez-Girón y Pacheco, were one of the most cultured and active couples in Madrid's enlightened circles. Goya, who counted among his friends Leandro Fernández de Moratín and Juan Meléndez Valdés, was a member of these circles. [1]
The Duchess of Alba and "la Beata" (or The Duchess of Alba and the Pious Woman; Spanish: La duquesa de Alba y su dueña o La Duquesa de Alba y "la Beata) is a oil-on-canvas painting by the Spanish artist Francisco Goya, from 1795. It portrays the Duchess María Cayetana de Silva, 13th Duchess of Alba reaching playfully towards her maid (or ...
Goya makes the figures come to life by making the Duke lean slightly to one side, with the intense stares of the children and the presence of the two dogs, making this a "typically amusing Goya animation", [3] and which, according to Nigel Glendinning, "gives the painting a strong sensation of mometaneousness so typical of both Velázquez and ...
Pilgrimage to the Fountain of San Isidro or The Holy Office (Spanish: Peregrinación a la fuente de San Isidro or El Santo Official [1]) are names given to an oil mural by the Spanish artist Francisco Goya (1746–1828), probably completed between 1821 and 1823.
However, Lion Feuchtwanger, a Bavarian novelist and playwright, cites in his book Goya (1951) that Godoy allegedly purchased both of the paintings from the heirs of María Cayetana de Silva, the 13th Duchess of Alba, after her death in 1802. [2] The Duchess of Alba and Goya were rumored to have a prolonged and passionate affair after he had ...
Goya seems to focus his attention on three figures: the Prince of Asturias, i.e. the future Fernando VII, who is dressed in blue, his mother Queen Maria Luisa of Parma, standing in the centre, and King Charles IV. Although a formal portrait, there are indications of intimacy between the family members; Queen Maria Luisa holds the hand of the ...