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As with other choral pieces the composer, Vivaldi, wrote many introduzioni (introductory motets) that were to be performed before the Gloria itself. Four introduzioni exist for these Glorias: Cur Sagittas (RV 637), Jubilate, o amoeni cori (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), Longe Mala, Umbrae, Terrores (RV 640), and Ostro Picta (RV 642).
Nisi Dominus, RV 608, is a musical setting by Antonio Vivaldi of Psalm 127 (Vulgate 126), intended for Vespers.His score, written c. 1715, calls for alto voice, strings and organ or harpsichord. [1]
Nulla in mundo pax sincera, RV 630, is a sacred motet composed by Antonio Vivaldi in 1735 to an anonymous Latin text [citation needed], the title of which may be translated as "In this world there is no honest peace" or "There is no true peace in this world without bitterness".
Vivaldi's Stabat Mater only uses the first ten stanzas of the hymn. [2] The music is keyed in F minor, and is generally slow and melancholy, with allegro only being used once in the Amen, and all the other movements not going faster than andante. Movements 4, 5, and 6 are identical to the first three musically.
Vivaldi's introduzioni are written for a solo singer, either alto or soprano, accompanied by instruments. The musical structure seems to derive from the text: four of the eight (RV 635, 636, 637, and 642) consist of two arias in da capo form surrounding a central recitative. One (RV 638) has a central aria flanked by two recitatives; another ...
Vivaldi structured the Magnificat, RV 610, in nine movements, eight for the text of the canticle (Luke 1:46-55) and the conclusion for the doxology.Set in G minor, it is scored for two soprano soloists, alto and tenor soloists, SATB choir, two oboes, violin I and II, viola, and basso continuo, such as cello and a keyboard instrument.
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In Hindustani classical music, vivadi refers to pitches that are not part of the arohana or avrohana of a given raga. In general, vivadi are not to be played during an improvisation on a given raga. So, for instance, if a raga had the structure S R G m P D N S', S' N D P m G R S; in that case, r, g, M, d and n would all be vivadi. Although vivadi pitches are generally to be avoided during the ...