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He is watched over by the Virgin Mary, Saint John and St. Mary Magdalene weeping for his death. While the dating of the piece is debated, it was completed between 1475 and 1501, probably in the early 1480s. [1] The painting is currently at the Pinacoteca di Brera in Milan. [2]
The famous Mantegna painting, clearly motivated by an interest in foreshortening, is essentially an Anointing, and many scenes, especially Italian Trecento ones and those after 1500, share characteristics of the Lamentation and the Entombment. [10] Ambrosius Benson's 16th century Lamentation triptych was stolen from the Nájera in 1913. It was ...
c. 1630-1632. Los Angeles County Museum of Art. The Raising of Lazarus is an oil-on-panel painting by the Dutch artist Rembrandt from early in his career; it was probably painted between 1630 and 1632. The work depicts the Raising of Lazarus as told in the Gospel of John, Chapter 11. It is in the collection of the Los Angeles County Museum of Art.
Art historian Otto Pächt says it "is the whole world in one painting, an Orbis Pictus". [10] In the Crucifixion panel, van Eyck follows the early 14th-century tradition of presenting the biblical episodes using a narrative technique. [11] According to art historian Jeffrey Chipps Smith, the episodes appear as "simultaneous, not sequential ...
S. Saint Barbara Altarpiece (Master Francke) Saint James Led to His Execution; Saint Mark's Body Brought to Venice; Saint Sebastian (Bernini) St Sebastian (Rubens)
These quotes about depression, from celebrities like Michael Phelps and Beyonce, explain the mental illness and can offer a sense of hope. ... ― Anna White, “Mended: Thoughts on Life, Love ...
The First Mourning (in French Premier Deuil) is an oil painting on canvas created in 1888 by the French academic painter William-Adolphe Bouguereau. Its dimensions are 203 by 252 centimetres (80 in × 99 in). It is in the Museo Nacional de Bellas Artes in Buenos Aires, Argentina. [1]
Art historian H. W. Janson writes that Prodigal Son "may be [Rembrandt's] most moving painting. It is also his quietest—a moment stretching into eternity. So pervasive is the mood of tender silence that the viewer feels a kinship with this group. That bond is perhaps stronger and more intimate in this picture than in any earlier work of art." [6]