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TASCAM released the new Model series in the Fall of 2018 with the Model 24 integrated 24-track production studio for mixing, recording, and use as a DAW controller. TASCAM followed up with the Model 16, a lower-priced 16-track mixing/recording studio in 2019, and released the Model 12, which introduced MIDI controller capabilities, hardware ...
The first models in the series (the TASCAM DA-88, DA-38, DA-98 and Sony PCM-800) recorded at 16-bit resolution. TASCAM later introduced the DA-98HR and DA-78HR, which recorded at 24-bit resolution and sample rates up to 48 kHz (for DA-78HR) and 192 kHz (for DA-98HR, suitable for recording high-resolution audio). [4]
The 2400 Series Magnetic Tape Units were introduced with the System/360 and were the first to use 9-track tape. The dimensions of the tape and reels are identical to those used with 7-track units, such as the IBM 729. But older 7-track tapes can be read and written only on special 2400 drives equipped with 7-track read and write heads and the 7 ...
TASCAM also produced a 24-track DASH recorder, the DA-800/24. With the exception of the Sony PCM-3348HR and Studer D827, all of the DASH recorders have 16-bit resolution with a 44.1 kHz or 48 kHz sampling rate , although it is possible to use an outboard analog-to-digital converter of up to 20-bit resolution.
Portastudio refers to a series of multitrack recorders produced by TASCAM beginning in 1979 with the introduction of the TEAC 144, the first four-track compact cassette-based recorder. A TASCAM trademark, "portastudio" is commonly used to refer to any self-contained multitrack recorder dedicated to music production. [1] [2] [3]
The most common usage is the DB25, using TASCAM's pinout (now standardised in AES59 by the Audio Engineering Society [1]). To avoid the possibility of bent pins on fixed equipment, the male connector is generally fitted to the cabling and the female connector to the equipment. The DD50 connector usage is described in AES-2id. [2]
An audio format is a medium for sound recording and reproduction.The term is applied to both the physical recording media and the recording formats of the audio content—in computer science it is often limited to the audio file format, but its wider use usually refers to the physical method used to store the data.
Standalone audio interfaces grew from the proprietary hard disk recording market of the 1980s and 1990s, but advances in processor power and hard drive speed meant that, by the mid-1990s, standard home computers were capable of recording multi-channel audio at 16-bit, 44khz compact disc standard.