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The ceiling before the restoration [c]. The preliminary experimentation for the modern restoration began in 1979. The restoration team comprised Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others, [6] who took as their guidelines the Rules for restoration of works of art as established in 1978 by Carlo Pietrangeli, director of the Vatican's Laboratory for the Restoration of ...
The Sistine Chapel's ceiling restoration began on 7 November 1984. When the restoration was completed, the chapel was re-opened to the public on 8 April 1994. The part of the restoration in the Sistine Chapel that has caused the most concern is the ceiling, painted by Michelangelo.
During the 18th century, new techniques were perfected for the restoration and conservation of ancient works of art, including methods of detaching fresco paintings from walls. Detachment involves separating the layer of paint from its natural backing, generally stone or brick, and can be categorized according to the removal technique used.
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The restoration work was finished in 2009 [8] and during the 2013 conclave the cardinal-electors assembled in the Pauline Chapel to begin their procession into the Sistine Chapel. [10] The Pauline Chapel was also the venue where the non-cardinal officials, support staff and other personnel who had duties in the 2013 conclave took their oath of ...
The museums contain roughly 70,000 works, of which 20,000 are on display, [2] and currently employs 640 people who work in 40 different administrative, scholarly, and restoration departments. [ 5 ] Pope Julius II founded the museums in the early 16th century. [ 6 ]
The Sistine Chapel ceiling (Italian: Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV , for whom the chapel is named.
Colalucci began working with the Vatican in 1960, and between 1980 and 1994 led the restoration of the Sistine Chapel frescoes, directing a team of twelve, [4] and removing centuries of smoke, dust, glue, varnishes, and wine which had dulled the frescoes, [5] [1] [2] as well as allowing art historians to visit the chapel during this work and ...
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