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  2. Slur (music) - Wikipedia

    en.wikipedia.org/wiki/Slur_(music)

    For vocal music, slurs are usually used to mark notes which are sung to a single syllable . A slur can be extended over many notes, sometimes encompassing several bars. In extreme cases, composers are known to write slurs which are near-impossible to achieve; in that case the composer wishes to emphasise that the notes should be performed with ...

  3. Blue note - Wikipedia

    en.wikipedia.org/wiki/Blue_note

    The eleventh harmonic (i.e. 11 ⁄ 8 or 551 cents) as put forward by Kubik [9] and Curry [10] is also possible as it is in the middle of the slur between the perfect fourth at 4 ⁄ 3 and 7 ⁄ 5. The blue "lowered seventh" appears to have two common locations at 7 ⁄ 4 (969 cents) and 9 ⁄ 5 (1018 cents). [17]

  4. Legato - Wikipedia

    en.wikipedia.org/wiki/Legato

    Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid articulating the notes with a very slight interruption. Standard notation indicates legato either with the word legato, or by a slur (a curved line) under notes that form one legato group.

  5. Musical phrasing - Wikipedia

    en.wikipedia.org/wiki/Musical_phrasing

    Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).

  6. Sensations of Tone - Wikipedia

    en.wikipedia.org/wiki/Sensations_of_Tone

    Helmholtz resonator, p. 121, fig. 32. On the Sensations of Tone as a Physiological Basis for the Theory of Music (German Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik), commonly referred to as Sensations of Tone, is a foundational work on music acoustics and the perception of sound by Hermann von Helmholtz.

  7. Post-tonal music theory - Wikipedia

    en.wikipedia.org/wiki/Post-tonal_music_theory

    Post-tonal music theory is the set of theories put forward to describe music written outside of, or 'after', the tonal system of the common practice period.It revolves around the idea of 'emancipating dissonance', that is, freeing the structure of music from the familiar harmonic patterns that are derived from natural overtones.

  8. Video altered to make Kamala Harris appear intoxicated ... - AOL

    www.aol.com/video-altered-kamala-harris-appear...

    The claim: Video shows Kamala Harris slurring her words while drunk during a speech. A Sept. 22 Instagram post (direct link, archive link) includes a video of Vice President Kamala Harris speaking ...

  9. Berklee method - Wikipedia

    en.wikipedia.org/wiki/Berklee_method

    For example, Berklee Music Theory - Book 2 recommends the following accompaniment for a given lead sheet, [2] while this progression does not occur in common practice theory since all the chords are seventh chords and unprepared dissonant. Accompaniment acceptable in the Berklee method [2] but not in common practice theory. Play ⓘ

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