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The Sonatina in F major is a composition for solo piano in two movements, attributed to Ludwig van Beethoven (listed as Anh. 5 No. 2 in the Kinsky–Halm Catalogue), though doubtful. Structure [ edit ]
A sonatina (French: “sonatine”, German: “Sonatine") is a small sonata. As a musical term, sonatina has no single strict definition; it is rather a title applied by the composer to a piece that is in basic sonata form , but is shorter and lighter in character, or technically more elementary, than a typical sonata. [ 1 ]
Three Sonatinas for Violin and Piano, Op. 137. Sonatina in D major, D 384 (Op. 137 No. 1) Sonatina in A minor, D 385 (Op. 137 No. 2) Sonatina in G minor, D 408 (Op. 137 No. 3) Sonata or (Grand) Duo in A major for Violin and Piano, D 574 (Op. 162) Rondo (Brillant) in B minor for Violin and Piano, D 895 (Op. 70)
This sonata is also unusual in that none of its four movements is in sonata-allegro form. In most of Beethoven's four-movement sonatas, the third movement is in 3 4 and in ternary form, while the second movement is slow and in a different key from the other movements. In this sonata, the second and third movements have switched roles, where the ...
The Sonatina in G major for violin and piano (Czech: Sonatina G dur pro housle a klavír), Op. 100, B. 183, was written by Antonín Dvořák between November 19 and December 3, 1893, in New York City. It was the last chamber composition he wrote during his sojourn in the United States.
Beethoven was writing in a form usually attempted by older, more mature composers, [4] as the sonata was a cornerstone of Classical piano literature. Since they were written at such an early age (and Beethoven himself did not assign them opus numbers), the works have historically been omitted from the canon of Beethoven's piano sonatas.
Domenico Scarlatti: The Keyboard Sonatas – Lists at Classical.net, sorted by Longo, Kirkpatrick or Pestelli numbers or key, time signature; Scarlatti Domenico: Catalogue; lists original sources for more than 600 keyboard sonatas including many not listed in this article; newly discovered ones and doubtful ones; other lists such as Fadini's edition.
The music begins in the piano, and the cello enters on a playful counter-melody in measure twelve, [2] [8] and the two instruments pass arpeggiated and scalar figures back and forth. [4] A more melodic section in D major begins in measure 33, and the fast-paced music passes through A major and E major before returning to G. [ 2 ]
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