Search results
Results from the WOW.Com Content Network
"Vesti la giubba" (Italian: [ˈvɛsti la ˈdʒubba], "Put on the costume", often referred to as "On With the Motley", from the original 1893 translation by Frederic Edward Weatherly) is a tenor aria from Ruggero Leoncavallo's 1892 opera Pagliacci.
Pagliacci (Italian pronunciation: [paʎˈʎattʃi]; literal translation, 'Clowns') [a] is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a ...
Robinson, who remarked that the song's distinctive calliope motif "sounded like a circus," provided lyrics that reflected his vision and sang lead vocal. In the song, his character, sad because a woman has left him, compares himself to the characters in the opera Pagliacci, comedians/clowns who hide their hurt and anger behind empty smiles. [5]
Pagliacci is referenced in the 1970 song, The Tears of a Clown by Smokey Robinson and the ... is attending a performance of the opera, openly crying, when his ...
In music, historians of modernism generally place Arnold Schoenberg's 1912 song-cycle Pierrot lunaire at the very pinnacle of high-modernist achievement. [92] And in ballet , Igor Stravinsky 's Petrushka (1911), in which the traditionally Pulcinella -like clown wears the heart of Pierrot, [ 93 ] is often argued to have attained the same stature.
Soprano Monica McGhee says that while she lost some of her vocal range to cancer, her experience has given her performance more depth.
Shawn Mendes is dedicating some of his new music to late One Direction member Liam Payne. On Friday, Oct. 18, the 26-year-old "Stitches" singer paused his concert in New York City to remember ...
He does not mind being shot out of a cannon, and plans to tell the world that she "made a crying clown" out of him. According to disc jockeys at the time the song was released, the calliope -like riff used in the song based on the " Entrance of the Gladiators " theme, was a synthesized recording of a woman's voice rather than a musical instrument.