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The Salvador Dalí House Museum is a residence and workplace of Dalí, adapted from small fisherman's local houses in the town of Portlligat, where Dalí lived and often worked, from 1930 until 1982, after Gala's death. It is now a house museum and is also managed by the Gala-Salvador Dalí Foundation. [7]
Gala Dalí (born Elena Ivanovna Diakonova, Елена Ивановна Дьяконова; 7 September [O.S. 26 August] 1894 – 10 June 1982), usually known simply as Gala, was the wife of poet Paul Éluard and later of artist Salvador Dalí, who were both prominent in surrealism. She also inspired many other writers and artists.
Dalí Seen from the Back Painting Gala from the Back Eternalised by Six Virtual Corneas Provisionally Reflected by Six Real Mirrors is an oil painting on canvas executed in 1972–73 by the Spanish artist Salvador Dalí. [1] It is in the permanent collection of Dalí Theatre and Museum in Figueres, Spain. [2]
The Lacemaker (copy of the painting by Vermeer Van Delft) (1955), Metropolitan Museum of Art, New York Gala-Salvador Dalí Foundation; The Sacrament of the Last Supper (1955) National Gallery of Art, Washington; Paranoiac-Critical Study of Vermeer's 'Lacemaker' (1955) Solomon R. Guggenheim Museum, New York Gala-Salvador Dalí Foundation
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol [b] [a] gcYC (11 May 1904 – 23 January 1989), known as Salvador Dalí (/ ˈ d ɑː l i, d ɑː ˈ l iː / DAH-lee, dah-LEE; [2] Catalan: [səlβəˈðo ðəˈli]; Spanish: [salβaˈðoɾ ðaˈli]), [c] was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and ...
Enigmatic Elements in a Landscape (Fundació Gala-Salvador Dalí, Figueres) Spectre of Vermeer's Chair (private collection) [5] Dalí revered Vermeer, and also drew several times on his The Lacemaker, for instance in Paranoiac-Critical Study of Vermeer's Lacemaker. [6] Dali also painted a copy of The Lacemaker on commission from collector ...
During Dalí's sojourns at the St. Regis Hotel in New York between the 1950s and 1970s, Field routinely observed the artist confirm or deny the authenticity of pieces brought before him. Ian Gibson describes Field by 1963 as "a seasoned habitué of Dali's Sunday court at the King Cole Bar" with "privileged status as a friend and collaborator." [2]
Set in the 1970s in New York and Spain, Dalíland is told through the eyes of James (Briney), a young assistant at a New York gallery who's obliged to assist Salvador Dalí (Kingsley) for a gallery show and ends up immersed into the unconventional world of Dalí's bohemian lifestyle and his strange marriage to his wife Gala (Sukowa). After the ...