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The early Marathi literature was mostly religious and philosophical in nature, [7] and was composed by the saint-poets belonging to Mahanubhava and Warkari sects. During the reign of the last three Yadava kings, a great deal of literature in verse and prose, on astrology, medicine, Puranas , Vedanta , kings and courtiers were created.
Baburao Ramji Bagul (1930–2008) was a Marathi writer from Maharashtra, India; a pioneer of modern literature in Marathi and an important figure in the Indian short story during the late 20th century, when it experienced a radical departure from the past, with the advent of Dalit writers such as him.
Kosala (English: Cocoon), sometimes spelled Kosla, is a Marathi novel by Indian writer Bhalchandra Nemade, published in 1963.Regarded as Nemade's magnum opus, and accepted as a modern classic of Marathi literature, the novel uses the autobiographical form to narrate the journey of a young man, Pandurang Sangvikar, and his friends through his college years.
Baluta (Marathi बलुतं) is an autobiography by the Indian writer Daya Pawar, written in the Marathi language. [1] According to Kalita, Baluta "introduced autobiographical writing" to Dalit literature. [2]
बोध’ is a male noun and a tatsama meaning "perception". [7] As far as the Marathi literature is concerned, Bāḷabōdha can be assumed to be composed of "bāḷa" meaning primary and "bōdha" meaning knowledge. So Marathi bāḷabōdha may be understood as the primary knowledge of Marathi language.
Shivaji Sawant (31 August 1940 – 18 September 2002) was an Indian novelist in the Marathi language. He is known as Mrutyunjaykaar (meaning Author of Mrutyunjay) for writing the famous Marathi novel - Mrutyunjay. [1] He was the first Marathi writer to be awarded with the Moortidevi Award in 1994. [2]
1942 was a turning point in the career of Kusumagraj, as the father-figure of Marathi literature, Vishnu Sakharam Khandekar, published Kusumgraj's compilation of poetry, Vishakha (विशाखा) at his own expense, and in his preface describing Kusumagraj as a poet of humanity, wrote, "His words manifest the social discontent but retain ...
In his preface to Yayati, Khandekar states that he was drawn to the original story from the Mahabharata at multiple levels, and for many reasons. [1] The resulting novel is a modern retelling of the story of the Hindu king, who enjoyed all the pleasures of the flesh for a millennium only to realise how empty of meaning was his pursuit of desire.