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"Better than Revenge" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). Swift and Nathan Chapman produced the track, which is an electric guitar-driven pop-punk song. In the lyrics, Swift's character addresses a romantic rival that stole her boyfriend, lambasting the ...
In addition to Swift's material, the live album includes two covers of Train (frontman Pat Monahan pictured).. Speak Now World Tour – Live is a set of CD and DVD; it consists of 16 tracks on the CD and 18 on the DVD, alongside bonus behind-the-scenes footage and videos of Swift's personal life. [17]
For the concert and tenor ukuleles, both reentrant and linear C 6 tunings are standard; linear tuning in particular is widely used for the tenor ukulele, more so than for the soprano and concert instruments. The baritone ukulele usually uses linear G 6 tuning: D 3 –G 3 –B 3 –E 4, the same as the highest four strings of a standard 6-string ...
In “Better Than Revenge (Taylor’s Version),” the line has been rewritten to: “He was a moth to the flame, she was holding the matches.” More from Variety Taylor Swift Adds 14 Shows ...
Here's how popular rom-coms and romantic dramas like "The Half of It," "The Kissing Booth 2," and "To All the Boys I've Loved Before" stack up.
Hartman joined his first band the Legends at the age of 13 in 1964 [5] at the request of his older brother David (Dave) who asked him to play keyboards. Hartman was initially reluctant to join, as he gravitated towards Motown rather than the Beatles-esque sound that the band members favored.
On the Speak Now World Tour (2011–2012), Swift performed "Fearless" as part of an acoustic mashup with Jason Mraz's 2008 song "I'm Yours" and Train's 2009 song "Hey, Soul Sister", on ukulele. [ 56 ] [ 57 ] The performance was recorded and released on DVD as part of the live album Speak Now World Tour – Live . [ 58 ]
The baritone voice is typically written in the range from the second G below middle C to the G above middle C (G 2 –G 4) although it can be extended at either end.However, the baritone voice is determined not only by its vocal range, but also by its timbre, which tends to be darker than that of the typical tenor voice.
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