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"True Faith" is a song by New Order, co-written and co-produced by the band and Stephen Hague. It was the first New Order single since their debut "Ceremony" to be issued in the UK as two separate 12" singles. The second 12" single features two remixes of "True Faith" by Shep Pettibone.
The original 1987 version ended in a fade-out while repeating the last line of the outro, "I will always feel free". The "94 album mix", also included on the international edition of (The Best of) New Order as "1963-94", had all new orchestration and is similar in structure to the original version, except that the outro is removed and replaced with a repeat of the final bridge and chorus ...
"True Faith" (song), a song by the English band New Order; True Faith (band), a Filipino musical group; True Faith, an alias for Jeff Mills, American techno DJ and producer; Tru Faith, a UK garage act best known in a collaboration as Tru Faith & Dub Conspiracy
True Faith is a band from the Philippines, formed in 1991.They have become one of the Philippines' most popular and accomplished bands. [citation needed]The band took its name from New Order's 1987 hit single "True Faith", revealing the group's new wave origins.
"True" is a song by English new wave band Spandau Ballet, released in April 1983 as the title track and third single from their third studio album. It was written by the band's lead guitarist and principal songwriter Gary Kemp to express his feelings for Altered Images lead singer Clare Grogan.
The fact that True Faith was used as a soundtrack to a murder is of interest and is relevant in our coverage of the actual murder, but not in an article about the song. This is, fundamentally, one of the biggest challenges on Wikipedia - making sure good content is in the correct article, not just on the project in general.
The song "Auld Lang Syne" comes from a Robert Burns poem. Burns was the national poet of Scotland and wrote the poem in 1788, but it wasn't published until 1799—three years after his death.
At the time, the group felt that the song represented a major step forward and had the potential to be a major hit. Sumner characterised the song as "a very uplifting track, filled with and enhanced by Ian's lyrics". [6] Drummer Stephen Morris, meanwhile, commented, "In my opinion, it had 'hit single' pressed through it like Blackpool rock. It ...