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"People Are Crazy" is a song written by Hunter Montgomery, Bobby Braddock, and Troy Jones and recorded by American country music singer Billy Currington. It was released in March 2009 as the second single from Currington's 2008 album Little Bit of Everything .
Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles and genres of music. The intended purpose of an edition of sheet music affects its design and layout.
Title Album details Peak chart positions Certifications Sales US [1]US Country [2]CAN [3]Billy Currington: Release date: September 30, 2003; Label: Mercury Nashville Formats: CD, digital download
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Variations on "I Got Rhythm" is a set of variations for orchestra and piano solo composed by George Gershwin in 1933–34. The piece is dedicated "to [his] brother Ira". Gershwin composed the new piece for his forthcoming concert tour with the Leo Reisman Orchestra, as an alternative to his Rhapsody in Blue and Concerto in F.
The flip side contained "Who Can I Count on" (the original B-side the "Crazy" single) and a cover version of "South of the Border (Down Mexico Way)." When the EP was released in early 1962, "Crazy" had already become a major country-pop crossover hit, peaking at #2 on the Hot Country Songs chart and #9 on the Billboard Hot 100 .
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Crazy Rhythm was frequently used as the closing music for BBC's humorous The Goon Show, performed live by Max Geldray or Ray Ellington, and is commonly associated with the show. Another notable recording of the song is on 1961's Further Definitions, by Benny Carter with Coleman Hawkins. This is one of Carter's most acclaimed recordings. [7] [8]
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