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Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l ...
The Macchiaioli (Italian pronunciation: [makkjaˈjɔːli]) were a group of Italian painters active in Tuscany in the second half of the nineteenth century. They strayed from antiquated conventions taught by the Italian art academies, and did much of their painting outdoors in order to capture natural light, shade, and colour.
Italian scagliola top, second half of the 18th century. Scagliola (from the Italian scaglia, meaning "chips") is a type of fine plaster used in architecture and sculpture.The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. [1]
Many of his paintings still exist, the most important being on the wall and ceiling of the Sala di Cosimo I in the Palazzo Vecchio in Florence, [8] where he and his assistants worked from 1555. Vasari also helped to organize the decoration of the Studiolo , now reassembled in the Palazzo Vecchio.
The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster.
Andrea Mantegna's late-Quattrocento ceiling fresco in the Camera degli Sposi (commissioned by Ludovico III Gonzaga for Mantua's Ducal Palace) is an early example of illusionistic ceiling painting. The art of Late Antiquity famously rejected illusionism for expressive force, a change already well underway by the time Christianity began to affect ...
Room of the Ark: contains a painting by Giovan Battista Caracciolo (17th century). In 1816, the ceiling was frescoed by Luigi Ademollo with Transportation of the Ark of the Covenant Containing the Tablets of the Law. Room of Psyche: was named after ceiling frescoes by Giuseppe Collignon; it contains paintings by Salvator Rosa from 1640–1650.
The Tuscan order (Latin Ordo Tuscanicus or Ordo Tuscanus, with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order , but with un- fluted columns and a simpler entablature with no triglyphs or guttae .
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