Search results
Results from the WOW.Com Content Network
The group debuted during 1972, [3] at first appearing at the "Show de las 12" television show in Puerto Rico's canal 2. [ 2 ] In 1973, Conjunto Quisqueya released their first musical album, which was produced by Paquito Cordero , a Puerto Rican television and music producer.
"Canciones que México canta" ("Songs that Mexico sings"), which listed the Top 10 most popular Spanish-language songs in Mexico, and " Éxitos internacionales en México " ("International Hits in Mexico"), which listed the most popular songs in Mexico that were in languages other than Spanish.
Las 30 Cumbias Más Pegadas (English: The 30 Best Cumbias) is a compilation album featuring music from Los Angeles Azules, Los Askis, Rayito Colombiano, Grupo Latino, Grupo Maracuya, Los Llayras, Mr. Chivo, Aniceto Molina, Super Grupo G, La Tropa Vallenata, Los Vallenatos, Yahari, among others.
Las Letras Ya No Importan is the second studio album by Puerto Rican rapper Residente, released on February 22, 2024, through Sony Music Latin and 5020 Records. [2] It is Residente's first full-length project in almost seven years since the release of his debut solo album Resīdεntә (2017).
The band has released several albums since its formation in November 1999, and in 2007 was nominated for a Latin Grammy for their album, Ahora Y Siempre. [citation needed] Their hits "Si Yo Fuera Tu Amor" and "Por Tu Amor" reached #2 and #4, respectively, on Billboard's Latin Regional Mexican Airplay chart.
Los Ángeles Azules are a Mexican musical group that plays the cumbia sonidera genre, which is a cumbia subgenre using the accordion and synthesizers. This results in a fusion of the sounds of cumbia from the 1950-1970s with those of 1990s-style electronic music.
Musical Symbols is a Unicode block containing characters for representing modern musical notation. Fonts that support it include Bravura, Euterpe, FreeSerif, ...
"Canción sin miedo" ("Song without fear" in Spanish) is a regional Mexican song by Mexican composer and singer Vivir Quintana, first performed on March 7, 2020. It speaks of missing women, feminicides , and women's struggle for justice, [ 2 ] and has become an anthem for feminist protests.