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The complete paintings of Titian, 430 ; The Scourging of Christ, Web Gallery of Art (English) Cristo flagellato, Galleria Borghese (Italian) Bildindex der Kunst und Architektur PID: 0000237108 ; Smartify artwork ID: titian-the-scourging-of-christ ; Bildindex der Kunst und Architektur ID (deprecated): 08014272 ; Source/Photographer
Christ and the Adulteress (Titian, Glasgow) Christ and the Adulteress (Titian, Vienna) Christ Appearing to his Mother after his Resurrection; Christ Carrying the Cross (Titian) The Crowning with Thorns (Titian, Munich) The Crowning with Thorns (Titian, Paris) Crucifixion (Titian)
Hope's observation is an extension from Vasari's criticism. While Bohde explains that "muddy colours" and the physicality of the figures makes the composition of Titian's Annunciation so good. Bohde says, "Titian’s painting ultimately deals with the transformation of the immaterial into the material, which is the core of the incarnation theme ...
The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art , in cycles of the Passion or the larger subject of the Life of Christ .
Christ and the Adulteress: c. 1520 82.5 × 136.5 cm Kunsthistorisches Museum (Vienna) Virgin and Child with Saint Stephen, Saint Jerome and Saint Maurice: c. 1510–1525 112.5 × 143.2 cm Louvre (Paris) Mary with Child and Saints Stephen, Jerome and Mauritius: c. 1520 93.3 × 138.2 cm Kunsthistorisches Museum (Vienna) Portrait of Vincenzo Mosti ...
The subject, too, has been contested; Johannes Wilde and others argued in favour of the Old Testament story of Susanna and Daniel. [2] Most scholars now accept the subject of the painting as the New Testament story of Jesus and the woman taken in adultery , [ 3 ] and attribute the painting to Titian.
This is a brutal scene, in which Christ's tormentors twist the crown onto his head with their canes, but the violence is relieved and Christ's suffering exalted by the beauty of the colours, which especially in the blue and green to the right are colder than usual in deference to Titian's Roman sources. In Christ's foot extended on the steps ...
Saint Mark Enthroned is an oil on panel painting by the Italian Renaissance artist Titian, created in 1510-1511. It is still in the church of Santa Maria della Salute , in Venice . [ 1 ]
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