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General MIDI Level 2 or GM2 is a specification for synthesizers which defines several requirements beyond the more abstract MIDI standard and is based on General MIDI, GS extensions, and XG extensions. It was adopted in 1999 by the MIDI Manufacturers Association (MMA).
General MIDI logo from the MIDI Manufacturers Association. General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The ...
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The XG-compatible Yamaha S-YXG50 SoftSynthesizer, which is discontinued, is an entirely software-based MIDI synth. It used a 2 MB or 4 MB wavetable sound set, and was common among non-professional users who needed a cheap, high-quality MIDI synthesizer for purposes such as playing video games that rely on MIDI for their music.
Roland GS, or just GS, sometimes expanded as General Standard [1] [2] or General Sound, [1] is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc.
Standard MIDI Files (SMF) contain instructions that trigger sounds played by a synthesizer which is typically expected to meet the General MIDI specification. On a personal computer these instructions can be turned into sound by either a software synthesizer, or by sending them along to a hardware synthesizer.
The main MIDI standard specifies abstract communications protocol for synthesizers, dealing with how to transmit note numbers and controllers, but not what they mean.More standards were created afterwards to state correspondence of particular sounds and sound effects to particular numbers transmitted.
The SC-55 was the first sound module to incorporate the new General MIDI standard. It was the first in the Roland Sound Canvas series. Unlike its predecessor, the SC-55 only uses PCM synthesis [ citation needed ] , supporting up to 24-voice polyphony with 16-part multitimbrality. [ 1 ]
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