Search results
Results from the WOW.Com Content Network
General MIDI logo from the MIDI Manufacturers Association. General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The ...
64 combined 128 combined 16 32 combined Simultaneous percussion voices 8 8 16 MIDI melodic channels 8 15 15 [a] 16 combined 32 combined (on 2 ports) 64 combined (on 4 ports) 14 16 combined Rhythm/percussion channels 1 1 (#10) 1 2 (#10 & #11) Channel recommendations #10: drums [3] #1: melody; #2: melody (duet);
A black plastic box, with LEDs for MIDI activity. 2 MIDI ins, 1 out. There is one single button on the front panel for SC-55/SC-88/SC-88 Pro modes. Roland SC-880 1998 GM GS: 32 64 1117 42 18-bit @ 32 kHz A 1U rackmount unit similar to the SC-88 Pro, but with an enhanced "patch mode" and a newer DAC. [15] [16] Roland ED SC-8850: 1999 GM GS GM2 ...
The Roland ED SC-8850 (Sound Canvas) is a GS-compatible MIDI sound module released in 1999 by Roland under the name RolandED. The SC-8850 was the first sound module to incorporate the new General MIDI Level 2 standard. The SC-8850 uses a PCM sampling engine based on that of the SC-88 Pro, and supports 128-voice polyphony with 64-part ...
Program #0 may be a piano on one instrument, or a flute on another. The General MIDI (GM) standard was established in 1991, and provides a standardized sound bank that allows a Standard MIDI File created on one device to sound similar when played back on another.
The company developed music software for the Atari ST, Commodore 64, Commodore 128, Amiga, IBM Personal Computer, and Macintosh. [1] It operated until the mid-1990s. [ vague ]
Roland GS, or just GS, sometimes expanded as General Standard [1] [2] or General Sound, [1] is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc.
The SC-55 was the first sound module to incorporate the new General MIDI standard. It was the first in the Roland Sound Canvas series. Unlike its predecessor, the SC-55 only uses PCM synthesis [ citation needed ] , supporting up to 24-voice polyphony with 16-part multitimbrality. [ 1 ]