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General MIDI Level 2 or GM2 is a specification for synthesizers which defines several requirements beyond the more abstract MIDI standard and is based on General MIDI, GS extensions, and XG extensions. It was adopted in 1999 by the MIDI Manufacturers Association (MMA).
General MIDI logo from the MIDI Manufacturers Association. General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The ...
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Roland GS, or just GS, sometimes expanded as General Standard [1] [2] or General Sound, [1] is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc.
The XG-compatible Yamaha S-YXG50 SoftSynthesizer, which is discontinued, is an entirely software-based MIDI synth. It used a 2 MB or 4 MB wavetable sound set, and was common among non-professional users who needed a cheap, high-quality MIDI synthesizer for purposes such as playing video games that rely on MIDI for their music.
It can also be configured as a MIDI interface for either IBM PC/AT or Apple Macintosh computers with a special serial cable and Roland software. The Roland SCB-7 was a Roland MIDI Daughterboard version of the SC-7 that plugged into the Wave Blaster Connector of the Sound Blaster line of sound cards for the PC.
Despite its original purpose as a companion to other professional MIDI equipment, the MT-32 became one of several de facto standards for PC computer game publishers. Sierra On-Line, a leading PC game publisher of the time, took an interest in the sound-design of its PC games. Sierra secured a distribution deal to sell the MT-32 in the US, and ...
The SC-55 was the first sound module to incorporate the new General MIDI standard. It was the first in the Roland Sound Canvas series. Unlike its predecessor, the SC-55 only uses PCM synthesis [ citation needed ] , supporting up to 24-voice polyphony with 16-part multitimbrality. [ 1 ]
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