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Ludwig van Beethoven's Piano Concerto No. 4 in G major, Op. 58, was composed in 1805–1806. Beethoven was the soloist in the public premiere as part of the concert on 22 December 1808 at Vienna's Theater an der Wien .
The work is in three movements as follows: . Allegro moderato; Larghetto; Rondo allegretto; The fact that each performance has a different orchestration makes it difficult to describe the work accurately, but in general the concerto has the style of classical composers of the late 18th century such as Joseph Haydn, who would later come to tutor Beethoven.
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn.
Piano Concerto No. 4 may refer to: Piano Concerto No. 4 (Beethoven) Piano Concerto No. 4 (Mozart) Piano Concerto No. 4 (Prokofiev) Piano Concerto No. 4 (Rachmaninoff) Piano Concerto No. 4 (Ries) Piano Concerto No. 4 (Rorem) Piano Concerto No. 4 (Rubinstein) Piano Concerto No. 4 (Saint-Saëns) Piano Concerto No. 4 (Villa-Lobos)
The second movement, Larghetto, in E ♭ major—the relative major of C minor—features a strikingly simple principal theme. The final movement, Allegretto, is a theme and eight variations in C minor. The work is one of Mozart's most advanced compositions in the concerto genre. Its early admirers included Ludwig van Beethoven and Johannes Brahms.
Beethoven, Suppé, R. Strauss, et al., Frühling in Wien, Wiener Symphoniker (own label), (2017) Works by Johann Strauss II and his brothers, Wiener Symphoniker (own label), 2014 Dvořák, Violin Concerto in A-minor with Anne-Sophie Mutter, Berliner Philharmoniker, Deutsche Grammophon (2013)
Romance (Larghetto) (4/4) (A-flat major) Allegro ; This concerto "has clarinets besides bassoons and string for accompaniment. They bring warmth and light colouring to this most attractive work, and in spite of unadventurous support they partner the bassoons in many typical phrases." [4]
The concerto is in the usual three movements: Allegro in 3 4; Larghetto in 4 4 (in B ♭ major) Tempo di menuetto in 3 4; It is scored for solo keyboard (piano or harpsichord), two oboes, two bassoons (second movement only), two horns and strings. The winds and brass do not play an important role throughout the concerto, and Mozart himself ...
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