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Atlantic is a drama film based on the sinking of the RMS Titanic and set aboard a fictional ship, called the Atlantic. The main plotline revolves around a man who has a shipboard affair with a fellow passenger, which is eventually discovered by his wife. The ship also has aboard an elderly couple, the Rools, who are on their anniversary cruise.
Đặng Nhật Minh (鄧日明, b.Huế, Vietnam, 1938) is one of Vietnam's foremost film directors. He began making documentary films around 1965 and is the first Vietnamese person to be awarded the Nikkei Asia Prize for Culture, in 1999. [1]
DatVietVAC (or Dat Viet VAC) is a Vietnamese media, entertainment and technology group. [1] [2] Founded in 1994 by Dinh Ba Thanh, [3] it is described as Vietnam's first and largest media company and launched the first private TV channel in the country. [4] The group operates the major Vietnamese OTT streaming platform VieON. [5] [6]
Starting in 2003, ' The Most Beloved Vietnam Television Dramas' Voting Contest (Vietnamese: Cuộc thi bình chọn phim truyền hình Việt Nam được yêu thích nhất) is held annually or biennially by VTV Television Magazine to honor Vietnamese television dramas broadcast during the year(s) on two channels VTV1-VTV3.
The cinema of Vietnam originates in the 1920s and was largely influenced by wars that have been fought in the country from the 1940s to the 1970s.. Some proclaimed Vietnamese language-films include Cyclo, The Scent of Green Papaya and Vertical Ray of the Sun, all by Tran Anh Hung, challenged the war-torn depiction of Vietnam at the time. [5]
Nguyễn Tiến Minh (born February 12, 1983) is a Vietnamese badminton player. His best achievement to date was the bronze medal at the World Championship in 2013 . Nguyen Tien Minh versus Chou Tien-chen in the final of 2014 U.S. Open
The Việt Minh (Vietnamese: [vîət mīŋ̟] ⓘ, chữ Hán: 越盟) is the common and abbreviated name of the League for Independence of Vietnam (Vietnamese: Việt Nam Độc lập Đồng minh [1] or Việt Nam Độc lập Đồng minh Hội, chữ Hán: 越南獨立同盟(會); French: Ligue pour l'indépendance du Viêt Nam), which was a communist-led national independence coalition ...
Dang Nhat Minh defended the scene, insisting that it was an essential characteristic of Vietnamese culture. [2] The film was reviewed 13 times in total, making Dang Nhat Minh feel like he was a criminal dragged to trials after trials. [3] At last, the scene was allowed to be screened but had to be shortened. [2]