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The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
Silver mirroring, or "silvering", is a degradation process of old black-and white-photographic prints caused by conversion of the black silver oxide to silver metal. This results in a slightly bluish, reflective patch in the darkest part of a print or negative when examined in raking light. It often indicates improper storage of the prints. [3]
In June 1886, Louis Prang published a series of prints under the title Prang's War Pictures. [8] (They may well have been available for purchase individually some months earlier. [8]) Shortly thereafter Kurz and Allison reissued their print of the Battle of Gettysburg and designed and issued additional prints in the same format (28 by 22 inches ...
Monochrome photography, also known as black-and-white photography; Monochrome painting, a style of painting that uses a single color (excluding shades thereof) Monochrome printmaking, printing styles that generate black-and-white images; Polychrome, of multiple colors, the opposite of monochrome
Ansco Color Print Film, Type 848, for release prints, balanced for approx. 3,000 degrees K (discontinued) Ansco Color Reversal Duplicating Film, Type 538, for duplication of positive image originals (discontinued) Ansco Supreme, Type 453, panchromatic (black & white?). E.I. 50 Day, 32 Tungsten (discontinued)
The gelatin silver print is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography. As such, films and printing papers available for analog photography rarely rely on any other chemical process to record an image.
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