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"Lady" was written by Dennis DeYoung for his wife, Suzanne Feusi, the first song he ever wrote for her. [4] DeYoung recounted to Contemporary Keyboard magazine for the January 1981 issue that the first time he ever played acoustic piano was when the band arrived at the recording studio to record "Lady" and saw the piano in the studio; DeYoung had written the song on an electric piano, but ...
It should only contain pages that are Styx (band) songs or lists of Styx (band) songs, as well as subcategories containing those things (themselves set categories). Topics about Styx (band) songs in general should be placed in relevant topic categories .
Lady is a compilation of songs from the band Styx's early recordings under the Wooden Nickel Records label. It is very similar to the contemporary Best of Styx compilation, consisting of the same tracks as that album (albeit in a different sequence) minus the song "Winner Take All", which does not appear on this album.
Dome said called it "pomp rock with style, confidence, command and ingenuity" with lyrics "about separating reality from fantasy." [7] Classic Rock History critic Tony Scavieli rated it Styx's 3rd best song, calling it " a bombastic celebration of progressive rock wrapped in slick production, tight arrangements, and brilliant musicianship."
The lead single "Lorelei" became Styx's second US Top 40 hit. The album was the band's first release for A&M Records (with whom they had signed earlier in 1975, after the success of the 1973 single "Lady"). The album marked the final appearance of original Styx guitarist John Curulewski who left the band to spend time with his family. [5]
"Come Sail Away" is a song by American rock group Styx, written and sung by singer and songwriter Dennis DeYoung and featured on the band's seventh album The Grand Illusion (1977). Upon its release as the lead single from the album, "Come Sail Away" peaked at #8 in January 1978 on the Billboard Hot 100 , and helped The Grand Illusion achieve ...
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As with much of Styx's catalog, many of the songs have quasi-medieval/fantasy lyrics and themes. Some are allegories and commentaries on contemporary American life and the members' experiences in an American rock band in the late 1970s, such as "Castle Walls," "Superstars," "Miss America" and the title track, which touches on "The Grand Illusion" of fame and fortune and how they are not what ...