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The American rapper Snoop Dogg has appeared on more than 500 non-single songs as a featured artist, a record among solo artists. MusicMagpie, a British online retailer, stated that Snoop Dogg has been featured on approximately 583 songs—although they included Snoop Dogg’s featured singles. [1]
The US version of the album had a slightly different running order and included "Your Mother Was Right" instead of "Sleeping on the Job". The song "Unchain Your Brain" was re-recorded and released on Ian Gillan's 2006 release Gillan's Inn.
This back-to-back release facebuster is a variation of the Gory special where a wrestler releases the arms of the opponent to take hold of the opponent's legs while dropping to a seated position, forcing the opponent to fall forward and impact the mat face-first. The move is named after the innovator of the original Gory special, Gory Guerrero.
His truth is marching on." with "Gory, gory, what a hell of a way to die! He ain't gonna jump no more." [2] [3] The song is a cautionary tale on the dangers of improper preparation for a parachute jump. [4] The protagonist does almost everything right but forgets to hook up his static line which would automatically deploy his main parachute ...
An "extra gory" version of the song was included as the third track on the "Amish Paradise" single. [5] In this version, Vixen and Donner are not mentioned (leaving their fate ambiguous), Santa is killed by a member of the SWAT team , and the elves file for unemployment benefits .
Hits is a compilation album by American pop-punk band New Found Glory, released on March 18, 2008, on Geffen Records. [3]The album includes eleven of their most famous songs and one b-side.
Nobody's Daughter is the fourth and final studio album by the American alternative rock band Hole, released on April 23, 2010, by Mercury Records. [2] The album was initially conceived as a solo project and follow-up to Hole frontwoman Courtney Love's first solo record, America's Sweetheart (2004). [3]
A 1965 Billboard review of "Let Me Down Easy" complimented the song's "driving beat" and LaVette's "outstanding wailing vocal performance." [ 9 ] In 2006, music journalist Bill Friskics-Warren described it as "a gloriously anguished record aggravated by nagging syncopation, astringent strings, and a stinging blues guitar break". [ 10 ]