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Hiroshi Yoshida (吉田 博, Yoshida Hiroshi, September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and woodblock printmaker. Along with Hasui Kawase , he is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his landscape prints.
Parallel to this, Hiroshi and Fujio’s second son Hodaka Yoshida (1926–1995) became an artist entirely independent both of his father’s authority and his aesthetic. The first in the family to focus on abstract art, he began by exhibiting his oils, and then moved to woodblock prints.(Allen et al., 110-11) He was a pioneer in Japan in ...
Fujio Yoshida (吉田 ふじを, Yoshida Fujio, October 5, 1887 – May 1, 1987) was a Japanese artist. She was the first female artist among the Yoshida family artists. She was the daughter of artist Kasaburo Yoshida and his wife Rui Yoshida. She married artist Hiroshi Yoshida.
Yoshida's artistic career was a long struggle between fidelity to his father's legacy and freedom from it. Hiroshi Yoshida, a shin-hanga landscape artist, dictated Tōshi's early artistic development. In 1926, Tōshi chose animals as his primary subjects to distinguish himself from his father, who was a landscape printmaker.
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
Restoration by trialsanderrors: Hiroshi Yoshida: Hikaru umi (the sparkling sea), 1926 Licensing This is a faithful photographic reproduction of a two-dimensional, public domain work of art.
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