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John Wilden Hughes Jr. [2] (February 18, 1950 – August 6, 2009) was an American filmmaker, producer, and screenwriter. He began his career in 1970 as an author of humorous essays and stories for the National Lampoon magazine.
With Some Kind of Wonderful, Hughes decided to re-tell the story, but with the genders of the main characters switched. Hughes named the three main protagonists—Keith, Watts, and Amanda Jones—as an inside-joke tribute to the Rolling Stones (Keith Richards, Charlie Watts, and the Stones' song "Miss Amanda Jones", respectively).
The Breakfast Club is a 1985 American indie [4] [5] teen coming-of-age comedy-drama film written, produced, and directed by John Hughes.It stars Emilio Estevez, Paul Gleason, Anthony Michael Hall, Judd Nelson, Molly Ringwald, and Ally Sheedy.
Home Alone [a] is a series of American Christmas family comedy films originally created by John Hughes. Chris Columbus directed Home Alone (1990) and Home Alone 2: Lost in New York (1992), Raja Gosnell directed Home Alone 3 (1997), Rod Daniel directed Home Alone 4 (2002), Peter Hewitt directed Home Alone: The Holiday Heist (2012) and Dan Mazer directed Home Sweet Home Alone (2021).
Director-writer John Hughes squanders the opportunity to comment on the power struggle between the sexes for a few easy laughs." [6] Gene Siskel of the Chicago Tribune gave the film one-and-a-half stars out of four and wrote, "What a disappointment Weird Science is! A wonderful writer-director has taken a cute idea about two teenage Dr ...
Another John Hughes classic, this time starring Matthew Broderick as Ferris, a whipsmart high schooler who calls in sick, borrows a Ferrari and takes his friends on an epic one-day adventure ...
The episode concluded with a tribute to the film's director John Hughes, with several of the stars who've appeared in the films he wrote and directed reciting some of their most memorable lines in ...
Written by Hughes and directed by newcomer Howard Deutch, the movie neatly captures the nuances of youth, reminding us how the most casual remark can unleash a flood of insecurities." [ 32 ] Paul Attanasio of The Washington Post wrote that "for the most part, Pretty in Pink works from a standard formula—rich boy, poor girl—and does little ...
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