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Persian musical instruments or Iranian musical instruments can be broadly classified into three categories: classical, Western and folk. Most of Persian musical instruments spread in the former Persian Empires states all over the Middle East , Caucasus , Central Asia and through adaptation, relations, and trade, in Europe and far regions of Asia .
Pages in category "Iranian musical instruments" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. A.
The first piano arrived to Iran in 1805, in a cargo of gifts, which also included portraits, furniture and clocks, sent to the Persian Shah, Fath Ali Shah Qajar by Napoleon Bonaparte. It did not receive attention as a proper instrument by the Iranian musicians at that time, and it was treated as a decorative object, placed at the corner of a ...
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano , organ , and various electronic keyboards , including synthesizers and digital pianos .
Some instruments, such as the sorna, neyanban, dohol, and naqare, are usually not used in the classical repertoire, but are used in the folk music. Up until the middle of the Safavid Empire, the chang was an important part of Iranian music. It was then replaced by the qanun , and later by the western piano. The tar functions as the primary ...
Noisemaker is a musical instrument which is not Used for music but rather for noisemaking: unpitched percussion: musical instrument Pahū Pounamu: idiophones: New Zealand, Traditional Maori Gong: tam-tam Piano (pianoforte) also used melodically, see chordophones: chordophones: 314.122-4-8: Italy: stringed instruments: keyboard hammmer-struck ...
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
Later, the arrival of new western influences, such as the use of the guitar and other western instruments, marked a turning point in Iran's popular music by the 1950s. [18] Iranian pop music is commonly performed by vocalists who are accompanied with elaborate ensembles, often using a combination of both indigenous Iranian and European instruments.