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Likewise to achieve as realistic a result as possible when painting the sheep which frequently appear in his snowscapes, he used a flock of "imitation" sheep which could be placed as required in the landscape of his choice. [4] Farquharson painted so many scenes of cattle and sheep in snow he was nicknamed 'Frozen Mutton Farquharson'. [5]
Gambler Jason Sweet wins a flock of sheep in a poker game and proceeds to take them by train into the middle of cattle country. Before long, the townsfolk take notice (and object), but Sweet is more than up to the challenge. The first thing he does is pick a fight with the roughest, toughest man around, "Jumbo" McCall, and beats him up.
The second one takes one sheep from the flock and, as he lets it out of the fenced barracks, counts: one, two, three, etc. up to ten, and after each ten he calls out: "desat" [citation needed] The leading of the sheep was preceded by magical procedures that were supposed to protect them from bad fate and from being enchanted.
The final song on The New Christy Minstrels' May 1964 Columbia Records album Today, [4] the title track was released as the single Columbia 43000 with the B side "Miss Katy Cruel". The record peaked at No. 17 on the Billboard magazine "Hot 100" chart and No. 4 on the magazine's Adult Contemporary chart. [5] [6]
Brian Stokes Mitchell in 2008 sang this song with the Mormon Tabernacle Choir, complete with donkey, cow, and sheep "voices". Garth Brooks recorded it on his 1992 platinum album Beyond the Season, giving the verses to various songwriter friends [5]. "The Friendly Beasts / L'Amikaj Bestoj" is a (free) simple score with all seven verses in ...
When Teegan, dressed as a sheep, took off with baby Jesus mid-song, her 3-year-old co-star playing the role of Mary took matters into her own hands, recovering the doll and returning baby Jesus to ...
Chasing Sheep is Best Left to Shepherds is a piece of minimalist music from the soundtrack for The Draughtsman's Contract, written by Michael Nyman. In the forty years since its release it has been much quoted and sampled and performed by various ensembles. It is based on the Prelude to Act III, Scene 2 of Henry Purcell’s opera, King Arthur. [1]
"The Sound of Silence" (originally "The Sounds of Silence") is a song by the American folk rock duo Simon & Garfunkel, written by Paul Simon. The duo's studio audition of the song led to a record deal with Columbia Records, and the original acoustic version was recorded in March 1964 at Columbia's 7th Avenue Recording Studios in New York City for their debut album, Wednesday Morning, 3 A.M ...