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A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an older Persian tradition of wall ...
Yusuf and Zulaikha (Joseph chased by Potiphar's wife), by Behzād, 1488. A Persian miniature (Persian: نگارگری ایرانی negârgari Irâni) is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa.
Mahmoud Farshchian (Persian: محمود فرشچیان, romanized: Mahmud Faršciyân; born 24 January 1930) is an Iranian painter and educator. He is a master of Persian miniature painting. His paintings have been hosted by several museums and exhibitions worldwide. [1]
Median man in Persepolis Persian realist Gouache painting of the Qajar dynasty and soldiers in 1850-1851. The arts of Iran are one of the richest art heritages in world history and encompasses many traditional disciplines including architecture, painting, literature, music, weaving, pottery, calligraphy, metalworking and stonemasonry.
Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events.Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art.
In painting without a picture, which means outside natural and close unnatural pictures, the artist understands their own assignment and knows that they should directly perform artistic factors, i.e. forming more accurate and pleasant synchronizations and more lively and meaningful designs, in order to make specialized beauties.
A Persian cat’s luxuriant coat, affectionate personality, and smoochy face make them the feline favorites of plenty of celebs, including the likes of Marilyn Munroe, Jennifer Lopez, and Kim ...
The dominant tradition of miniature painting in the late Middle Ages was that of Persia, which had a number of centres, but all usually dependent on one key patron, whether the shah himself, or a figure either governing a part of the country from a centre such as Herat, where Baysunghur was an important patron in the early 15th century, or the ruler of a further part of the Persianate world in ...