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Lamb was a San Francisco-based rock group. [1] They tend to be remembered only for their appearance on the Fillmore: The Last Days concert album, where they were one of several non-star artists on a set dominated by bigger names like the Grateful Dead, Santana, and Jefferson Airplane. They also played at the Ribeltad Vorden in San Francisco.
The San Francisco bands' music was everything that AM-radio pop music wasn't. Their performances contrasted with the "standard three-minute track" that had become a cliché of the pop-music industry, due to the requirements of AM radio, to the sound capacity of the 45 RPM record, and to the limited potentials of many pop songs and song treatments.
Psychedelic music (sometimes called psychedelia) [1] is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness.
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
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There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as ...
The Charlatans were an American folk rock and psychedelic rock band that played a role in the development of the San Francisco Haight-Ashbury music scene during the 1960s. [5] [6] They are often cited by critics as being the first group to play in the style that became known as the San Francisco Sound.
Highs in the Mid-Sixties, Volume 1: LA '65 / Teenage Rebellion is a compilation album of American garage rock and psychedelic rock recordings from the mid to late 1960s. It was the first in a series that is nearly as long as the earlier Pebbles series of similar music (for which the Highs in the Mid-Sixties series is a companion series), although the Highs albums concentrate strictly on ...