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Michael Max Asher (July 15, 1943 – October 15, 2012) was an American conceptual artist, described by The New York Times as "among the patron saints of the Conceptual Art phylum known as Institutional Critique, an often esoteric dissection of the assumptions that govern how we perceive art."
Michael Asher "Vertical Column of Accelerated Air" 1966: Drafts of pressurized air. [2] Art & Language (group) "Air-Conditioning Show " or "Air Show" 1967: An empty room with two air conditioning units; the artwork is "what is felt and said about it", and not anything tangible. [3] James Lee Byars "The Ghost of James Lee Byars" 1969
The Claire S. Copley Gallery was an art gallery that existed from 1973 to 1977 on La Cienega Boulevard in Los Angeles, California, U.S.. [1] Together with the galleries of Eugenia Butler, Rolf Nelson, Nick Wilder, and Riko Mizuno, the Claire Copley Gallery played an important role in the Los Angeles art scene of the 1960s and 1970s. [2]
In art, institutional critique is the systematic inquiry into the workings of art institutions, such as galleries and museums, and is most associated with the work of artists like Michael Asher, Marcel Broodthaers, Daniel Buren, Andrea Fraser, John Knight (artist), Adrian Piper, Fred Wilson, and Hans Haacke and the scholarship of Alexander Alberro, Benjamin H. D. Buchloh, Birgit Pelzer, and ...
Michael Asher may refer to: Michael Asher (artist) (1943–2012), American conceptual artist Michael Asher (explorer) (born 1953), British explorer and author, former SAS
Unfinished Painting is a 1989 painting by American artist Keith Haring. It is a 100 cm by 100 cm acrylic painting on canvas piece, recognizable by the large swath of canvas left exposed. [ 1 ] It is known as one of Haring's final paintings before his 1990 death from AIDS -related complications at the age of 31. [ 2 ]
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