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English furniture has developed largely in line with styles in the rest of northern Europe, but has been interpreted in a distinctive fashion. There were significant regional differences in style, for example between the North Country and the West Country .
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
The Eastlake movement was a nineteenth-century architectural and household design reform movement started by British architect and writer Charles Eastlake (1836–1906). The movement is generally considered part of the late Victorian period in terms of broad antique furniture designations.
Illustrated History Of Furniture; Home Economics Archive: Tradition, Research, History (HEARTH) An e-book collection of over 1,000 books on home economics spanning 1850 to 1950, created by Cornell University's Mann Library. Includes several hundred works on the furniture and interior design in this period, itemized in a specific bibliography.
The furniture of Louis XIV was massive and lavishly covered with sculpture and ornament of gilded bronze in the earlier part of the personal rule of King Louis XIV of France (1660–1690). After about 1690, thanks in large part to the furniture designer André Charles Boulle , a more original and delicate style appeared, sometimes known as ...
Marc Ellington collected furniture at Towie Barclay, [15] including an early Scottish cupboard or dresser dated 1613, now displayed at the V&A Dundee. [16] The National Museum of Scotland has a well-known chair, a Scottish caquetoire , with the initials and star heraldry of Annabell Murray, Countess of Mar . [ 17 ]
The tilt-top tea table on a tripod was first made during the "Queen Anne" (in reality George II) period in the 1730s. [ 16 ] Queen Anne eventually was eclipsed by the later Chippendale style; late Queen Anne and early Chippendale pieces are very similar, and the two styles are often identified with each together.
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and ...