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"Hurt" is a song by American industrial rock band Nine Inch Nails from its 1994 studio album The Downward Spiral—where it is the closing song on the album—written by Trent Reznor. It was subsequently released on April 17, 1995, as a promotional single from the album, wherein it was issued straight to radio. [ 3 ]
"Hurt" is a 1954 song by Jimmie Crane and Al Jacobs. "Hurt" was originally performed by Roy Hamilton, whose version peaked at number eight on the R&B Best Seller chart and spent a total of seven weeks on the chart. [1] A version by Ricky Denell also received considerable radio airplay in 1954 on pop radio stations.
Lefty Frizzell originally recorded this classic tale of love and death (written by Danny Dill and Marijohn Wilkin) in 1959, but it’s been memorably covered by many artists, including Johnny Cash.
"Love Hurts" is a song written and composed by the American songwriter Boudleaux Bryant. First recorded by the Everly Brothers in July 1960, the song is most well known in two hit versions by UK artists; by Scottish hard rock band Nazareth in 1974 and by English singer-songwriter Jim Capaldi in 1975.
"Hurt" is a song by American singer Christina Aguilera from her fifth studio album, Back to Basics (2006). It was serviced to US contemporary hit radio stations on September 17, 2006, [ 1 ] as the album's second single, and was released for purchase in November.
"Hurts" is a song by Scottish recording artist Emeli Sandé, released as the lead single from her second album Long Live the Angels (2016) on 16 September 2016 through Virgin EMI Records in the United Kingdom.
"It Hurts to Be in Love" is a song written by Howard Greenfield and Helen Miller which was a Top Ten hit in 1964 for Gene Pitney. [2] It was one in a long line of successful "Brill Building Sound" hits created by composers and arrangers working in New York City 's Brill Building at 1619 Broadway.
"You Always Hurt the One You Love" is a pop standard with lyrics by Allan Roberts and music by Doris Fisher. First recorded by the Mills Brothers , whose recording reached the top of the Billboard charts in 1944, it was also a hit for Sammy Kaye (vocal by Billy Williams) in 1945.