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Noah, one of the most popular pop bands in Indonesia. Indo pop (Indonesian: Pop Indo), also known as Indonesian pop (Indonesian: Pop Indonesia) or I-pop, is loosely defined as Indonesian pop music; however, in a wider sense, it can also encompass Indonesian pop culture, which also includes Indonesian cinema and sinetrons (Indonesian TV dramas).
Since then, the black velvet peci is approved to be the national head-dress for Indonesian men. It is worn all over Indonesia, especially by government officials and men (usually Muslim men) throughout the country. The peci is usually worn with batik shirt or western-style suits by men in Indonesia for those attending formal occasions. It is ...
also: People: By gender: Men: By nationality: Indonesian This category exists only as a container for other categories of Indonesian men . Articles on individual men should not be added directly to this category, but may be added to an appropriate sub-category if it exists.
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also: People: By gender: Men: By nationality: By occupation: Indonesian This category exists only as a container for other categories of Indonesian men . Articles on individual men should not be added directly to this category, but may be added to an appropriate sub-category if it exists.
The men's national team is controlled by the Football Association of Indonesia (PSSI), the governing body for football in Indonesia, which is a part of AFC, under the jurisdiction of FIFA. Abdul Kadir is a football player who holds the record for being both the all-time leading goal scorer and the player with the most appearances for the ...
Indonesian rock is rock music from Indonesia, a product of the culture and globalizing outlook of the country, similar to this genre's music globally. [1] Indonesian-specific ideas about individualism, interdependency, modernism, and the supernatural have also been observed in the rock videos and music of the nation.
Orkes Melayu singer Ellya Khadam switched to dangdut in the 1970s, and by 1972, she was the number-one artist in Indonesia. Her success, along with that of Rhoma Irama, meant that by 1975, 75 per cent of all recorded music in Indonesia was of the dangdut genre, with pop bands such as Koes Plus adopting the style. [citation needed]