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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
The Memorial Head (Nsodie) at the Metropolitan Museum of Art was created in the 17th–mid-18th century. It was found in Ghana, Twifo-Heman traditional area from the Akan peoples. These heads were commissioned by the Akan peoples to memorialize royal personages before death. It was thought that elderly women artists fulfilled these commissions. [3]
With the 1994 exhibition of East African art objects in Germany, the organisers wanted to make "a previously unknown rich cultural landscape accessible to the wider public." The presentation of the sculptures as works of art from Africa was supplemented by art-historical and ethnological information in the accompanying catalogue. [7]
The metal pieces were made using lost-wax casting and are considered among the best African sculptures made using this technique. [21] Benin began to trade ivory, pepper, and slaves [ 22 ] with the Portuguese in the late 15th century and incorporated the use of manillas (brass ingots in the form of bracelets, bought from the Portuguese) as a ...
African art is produced using a wide range of materials and takes many distinct shapes. Because wood is a prevalent material, wood sculptures make up the majority of African art. Other materials used in creating African art include clay soil. Jewelry is a popular art form used to indicate rank, affiliation with a group, or purely aesthetics. [16]
Olowe of Ise (Yoruba: Ọlọ́wẹ̀ of Ìsẹ̀; c. 1873 – c. 1938) [1] [2] is considered by Western art historians and collectors to be one of the most important 20th century artists of the Yoruba people of what is today Nigeria. [3] [4] [5] He was a wood sculptor and master innovator in the African style of design known as oju-ona.
Several other museums, such as the National Museum of African Art in Washington, D.C. are in possession of one. They have been featured in the African Negro Art show at the Museum of Modern Art in New York City (1935), [4] and at the Museum voor Volkenkunde, in Rotterdam (1953). [5] The masks were popular among European collectors during the ...
Early art-historical and archaeological records reinforce these strong affiliations with Ife culture as far back as the 14th century. [4] Yoruba kingdoms prospered until the slave trade and warfare of the nineteenth century took their toll. One of the effects of this devastation was the dispersal of millions of Yoruba all over the world.
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