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The Museum of Broadcast Communications (MBC) is an American museum, the stated mission of which is "to collect, preserve, and present historic and contemporary radio and television content as well as educate, inform and entertain through our archives, public programs, screenings, exhibits, publications and online access to our resources."
The Radio Hall of Fame, formerly the National Radio Hall of Fame, is an American organization created by the Emerson Radio Corporation in 1988.. Three years later, Bruce DuMont, founder, president, and CEO of the Museum of Broadcast Communications, assumed control of the Hall, moved its base of operations to Chicago, and incorporated it into the MBC. [1]
The program aired from The Center Theater in Chicago, and people used to stand outside in the snow and cold waiting to get in. The National Barn Dance was the only known radio program to charge an admission fee. ABC made two moves that ultimately led to National Barn Dance's slow demise. The first was the cancellation of the network broadcast ...
The series began as a local program in Chicago, hosted by Carl Amari, who was the founder of Radio Spirits, Inc., which sells tapes and CDs of old time radio programs.. Former CBS Radio executive Dick Brescia heard an in-flight version of the program, and soon mounted a nationally syndicated version of the show (through Dick Brescia Associates), beginning Jan. 1, 1990 and hosted by Art Fle
American Radio Networks: A History (McFarland, 2009) Cox, Jim. Radio After the Golden Age: The Evolution of American Broadcasting Since 1960 (McFarland, 2013) Craig, Douglas B. Fireside Politics: Radio and Political Culture in the United States, 1920–1940 (2005) Dimmick, John, and Daniel G. McDonald.
A handful of radio programs from the old-time era remain in production, all from the genres of news, music, or religious broadcasting: the Grand Ole Opry (1925), Music and the Spoken Word (1929), The Lutheran Hour (1930), the CBS World News Roundup (1938), King Biscuit Time (1941) and the Renfro Valley Gatherin' (1943). Of those, all but the ...
This sixty-minute variety show was created and hosted by Jack L. Cooper who was known as the first African American radio broadcaster. [2] The All-Negro Hour first premiered on November 3, 1929, on World Stage Battery Company , a white-owned radio station in Chicago, and ran until 1935. [1]
American Radio Archives and Museum offers one of the largest collections of radio broadcasting in the United States and in the world. [12] It has a collection of 23,000 radio and TV scripts, 10,000 photographs, 10,000 books on radio history, and 5,000 audio recordings.