Search results
Results from the WOW.Com Content Network
Two tracks on the disc, "Radio 2" and "Face the Enemy 2", had the numbers at the end removed from the track listing, which could potentially cause confusion, since the original "Radio" track is from the first Command & Conquer game, and "Face The Enemy 1" is a different track in Red Alert. Any tracks with different in-game track titles have the ...
Command & Conquer: Red Alert 2 is a real-time strategy video game which was released for Microsoft Windows on October 25, 2000 [1] as the follow-up to Command & Conquer: Red Alert. Red Alert 2 picks up at the conclusion of the Allied campaign of the first game.
The Music of Command & Conquer: 1995 72:51 Westwood Studios: Notes: Composed by Frank Klepacki; The Music of Command & Conquer: Red Alert: 1996 67:44 Westwood Studios: Notes: Composed by Frank Klepacki; Command & Conquer: Sole Survivor Online: Notes: Command & Conquer: Tiberian Sun: January 1, 1999 65:58 Westwood Studios Notes:
Command & Conquer: Remastered Collection is a collection of remasters of the first two Command & Conquer video games: Tiberian Dawn and Red Alert.It includes three expansion packs: The Covert Operations, Counterstrike, and The Aftermath [5] as well as additional content from the console ports, totaling about 100 campaign missions.
In 1997, two expansion packs for Red Alert were released for the PC, Command & Conquer: Red Alert: Counterstrike and Command & Conquer: Red Alert: The Aftermath. The expansion packs were designed by Westwood Studios with the "apprenticeship" of Intelligent Games, a London-based game developer. Much of the development on multiplayer maps was ...
Chinese industry executives will get a first taste of “Coolie,” a big-budget historical miniseries that focuses on the enslaved Chinese workers in Cuba in the 1860s. MM2 Entertainment is ...
Discover the best free online games at AOL.com - Play board, card, casino, puzzle and many more online games while chatting with others in real-time.
This double reed instrument, called suona in Chinese, was brought to Havana in the 19th century by Chinese immigrants. It was being used to play traditional Chinese music in the Chinese theaters in Havana's Chinatown, when an Afro-Cuban comparsa named “Los Chinos Buenos” adapted it to use in place of an inspirador ("lead singer").