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Danish modern also known as Scandinavian modern is a style of minimalist furniture and housewares from Denmark associated with the Danish design movement. In the 1920s, Kaare Klint embraced the principles of Bauhaus modernism in furniture design, creating clean, pure lines based on an understanding of classical furniture craftsmanship coupled with careful research into materials, proportions ...
Modern architecture in Sweden was prefaced by a group of architects who took up a very rigorous and stark form of Neo-classicism. Gunnar Asplund and Ivar Tengbom were two of the most well-known representatives during the 1910s and 1920s, contributing to the style which became known internationally as Swedish Grace [ sv ] . [ 1 ]
The Brooklyn Museum's 1954 "Design in Scandinavia" exhibition launched "Scandinavian Modern" furniture on the American market. [1]Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. Post- World War II ideals of cutting excess, commodification , and practicality of materials in design heavily influenced the aesthetic of the furniture.
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Modern art reached its peak during the 1950s and '60s, which is why designers and decorators today may refer to modern design as being "mid-century". [44] Modern art does not refer to the era or age of design and is not the same as contemporary design, a term used by interior designers for a shifting group of recent styles and trends. [44]
The ideas of Mies van der Rohe have had a different interpretation in the buildings of Juha Leiviskä, equally inspired by De Stijl in regard to the unbounded continuity of space as represented by series of parallel walls, but also ideas about the ethereal qualities of natural light from German Baroque churches (e.g., the churches designed by ...
The exterior turf walls were lined internally with a wooden frame, which was then paneled, with the roof resting on two rows of pillars dividing the internal space. The main room of the house was known as the skáli , consisting of a central open hearth and two raised platforms, known as set .
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