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Richmond Campbell has outlined these kinds of issues in his encyclopedia article "Moral Epistemology". [53] In particular, he considers three alternative explanations of moral facts as: theological, (supernatural, the commands of God); non-natural (based on intuitions); or simply natural properties (such as leading to pleasure or to happiness).
On Truth and Lies in a Nonmoral Sense (German: Über Wahrheit und Lüge im aussermoralischen Sinne, also called On Truth and Lie in an Extra-Moral Sense [1]) is a philosophical essay by Friedrich Nietzsche.
"Ambiguity and Freedom," lays out the philosophical underpinnings of Beauvoir's stance on ethics. She asserts that a person is fundamentally free to make choices, a freedom that comes from one's own "nothingness," which is an essential aspect of one's ability to be self-aware, to be conscious of oneself: "... the nothingness which is at the heart of man is also the consciousness that he has of ...
Natural evil (also non-moral or surd evil) is a term generally used in discussions of the problem of evil and theodicy that refers to states of affairs which, considered in themselves, are those that are part of the natural world, and so are independent of the intervention of a human agent.
The open-question argument is a philosophical argument put forward by British philosopher G. E. Moore in §13 of Principia Ethica (1903), [1] to refute the equating of the property of goodness with some non-moral property, X, whether natural (e.g. pleasure) or supernatural (e.g. God's command).
[1] [2] [3] Some simply refer to it as a case of being neither moral nor immoral. [4] Amoral should not be confused with immoral, which refers to an agent doing or thinking something they know or believe to be wrong. [5] Morality and amorality in humans and other animals is a subject of dispute among scientists and philosophers.
On Moral Fiction is a collection of essays by the American novelist John Gardner published in 1978. ( ISBN 0-465-05225-8 ) In this work, Gardner attacks what he sees as contemporary literature's lack of morality , which he calls the highest purpose of art and which he defines in the book.
An alternative definition of Hume's law is that "If P implies Q, and Q is moral, then P is moral". This interpretation -driven definition avoids a loophole with the principle of explosion . [ 6 ] Other versions state that the is–ought gap can technically be formally bridged without a moral premise, but only in ways that are formally "vacuous ...