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' water koto cavern ') is a type of Japanese garden ornament and music device. It consists of an upside down buried pot with a hole at the top. Water drips through the hole at the top onto a small pool of water inside of the pot, creating a pleasant splashing sound that rings inside of the pot similar to a bell or Japanese zither.
By 1920, Tatara Furnaces were no longer economically viable and they closed once the Western blast furnace was introduced to Japan. In 1977, the Society for Preservation of Japanese Art Swords and historical firearms ( Nihon Bijutsu Token Hozon Kyokai ) with the approval of the Japanese government's department of the environment built a tatara ...
The Sakuteiki was written in a time during which the placing of stones was the most important part of gardening, and it literally defined the art of garden making, using the expression ishi wo tateru koto (石を立てること, literally, "the act of standing up stones") to mean not only stone placement but garden making itself. It advises the ...
We can, however, conclude that the Japanese bloomery with its linear design, (in contrast to circular European blast furnaces) certainly resembles many contemporary South Asian designs. [10] The etymology of “tatara” is not Japanese in its origin, which supports the theory that this technology was not locally synthesized.
Japanese gardens (8 C, 16 P) Pages in category "Japanese style of gardening" The following 20 pages are in this category, out of 20 total.
The Japanese dry garden (枯山水, karesansui) or Japanese rock garden, often called a Zen garden, is a distinctive style of Japanese garden. It creates a miniature stylized landscape through carefully composed arrangements of rocks, water features, moss, pruned trees and bushes, and uses gravel or sand that is raked to represent ripples in ...
Daisugi (台杉) is a Japanese technique related to pollarding, used on Cryptomeria (sugi) trees. [1] [2] [3] The term roughly translates to "platform cedar". [4] When applied in a silviculture context, the daisugi method requires trunks to be pruned every 2–4 years in order to maintain the straight, clear grain that they are coveted for. [5] [6]
The anagama kiln (Japanese Kanji: 穴窯/ Hiragana: あながま) is an ancient type of pottery kiln brought to Japan from China via Korea in the 5th century. It is a version of the climbing dragon kiln of south China, whose further development was also copied, for example in breaking up the firing space into a series of chambers in the ...